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Overview
From its inception in 1945, the band show-cased the best musicians in Britain and Scotland. Heath sought out the best players he could find and made sure the band always presented a superior professional appearance and flawless musicianship. It was said that Heath had his band members polish their horns before each performance! For more than 25 years, the TH Band retained its personnel nearly intact. The band held a reunion in 1966 to mark its 21st anniversary. At that time, many of the original band members were still playing gigs with the band. TH usually played with 4-5 trumpets, 4-5 trombones, 5 reeds, drums, bass and piano. He occasionally augmented the group with guitar, vibes and tuba. During the band's career they recorded over 100 Decca (and London) label 45rpm records and LP albums (a few of which have been re-issued or compiled as CDs) covering more than 800 different song titles, nearly all of which were uniquely arranged for the prodigious talents of this band. Heath never played "stock" arrangements. The Ted Heath Band played its Farewell Concert on Dec. 4, 2000 at the Royal Festival Hall in London. Many of the members of the band at this final concert were original members - Jackie Armstrong, Jack Parnell, Duncan Campbell, Ronnie Hughes, Roy Willox, Tommy Whittle, Don Lusher and singer Denis Lotis. Biographical Information - Edward "Ted" Heath
Musical History
In early 1920's, he rashly accepted a job playing with a dance band (Jack Hylton's) at the Queen's Hall Roof Gardens (a very popular night spot in London) and was told after 4 days to go home and practice some more! First Jobs
He next played with the Metro-Gnomes, a small band fronted by Ennis Parkes, who later became Mrs. Jack Hylton. In late 1920, he again joined the Jack Hylton theater band. From 1925 to 1926 Ted played in the Kit Cat Club's band led by American Al Starita. There he heard Bunny Berrigan, the Dorseys and Paul Whiteman when they toured Europe. In 1928, he joined Bert Ambrose's orchestra at the Mayfaire Hotel in London and played there until 1935 when he moved on to Sydney Lipton's orchestra at the Grosvenor House. Ambrose, a strict disciplinarian, taught Ted how to be a band leader. It was during this time that Ted became a master of his instrument and swing music. In September, 1939 the war caused an immediate disbandment of the Sydney Lipton Band which was on tour in Scotland at the time. Ted, Moira and children made their way back to London. In late 1939, Ted joined Maurice Winnick's Dorchester Hotel band. During the late 30's and early 40's, Ted played as a sideman on several Benny Carter albums. Getting A Band Together
In 1941, Geraldo asked his band members to submit a favorite tune to include in their broadcasts. TH had composed two songs ("Gonna Love That Guy" and "That Lovely Weekend") with his wife Moira (she wrote the lyrics). Ted suggested "That Lovely Weekend" to Geraldo. It was orchestrated with Dorothy Carless on vocal and was an immediate hit. The royalties from these two songs allowed TH to start his own band. In 1944, Douglas Lawrence was Dance Music Organizer for the BBC's Variety Department. Ted talked him into supporting a new band with a broadcasting contract. Laurence was skeptical as Ted wanted a much larger band than anyone had seen before. The Ted Heath Band was first heard on a BBC broadcast in 1944. The band was organized originally as a British "All Star Band" playing only radio dates. Ted's theme song was "Listen To My Music." Also in 1944 TH had his own regular radio show. Sometime during this period, Ted heard the great Glenn Miller Army Air Force Band and was completely taken with the Glenn Miller "sound." In 1945, the BBC decreed that only permanent, touring bands could appear on radio. So, the permanent TH Band was officially formed on D-Day, 1945. In late 1945, American bandleader Tootie Camarata (trumpet) came to UK as musical director for the film "London Town" and commissioned Heath to provide the music for the film. The money from this gig allowed the band to stay alive. The film was a flop. Next, Ted arranged a stint at the Winter Gardens at Blackpool (1946), a Scandinavian Tour, a fortnight at the London Casino with Lena Horne, and backing Ella Fitzgerald at the London Palladium. Palladium Concerts and an American Tour
Heath's first American Tour (April 1956) was a reciprocal agreement between TH and Stan Kenton who would tour Britain at the same time TH toured the U.S. The tour occurred with the help of the British Musicians Union, Sir Edward Lewis of Decca Records and Stan Kenton. It was part of a "package' which included Nat King Cole, June Christy and the Four Freshmen and consisted of 43 concerts in 30 cities (primarily the southern states) in 31 days (7,000 miles) climaxing in a Carnegie Hall Concert on May 1, 1956. At this performance, the band's instrument truck was delayed by bad weather. The instruments finally arrived just minutes before the curtain raised. The band had no time to warm up or rehearse. They went on stage "cold." There were so many encore calls at the Carnegie Hall performance that Nat King Cole (who was backstage, but not on the bill) had to come out on stage and ask people to leave. During the Tour, Nat Cole was attacked on stage in Birmingham, Alabama by a group of white segregationists who jumped up out of the audience and hit him in the mouth. Because of this incident, TH nearly cancelled the rest of the tour.
The Band Today
TH fans are still "Listening To His Music" via a vibrant, active and growing fan club - The Ted Heath Music Appreciation Society - in London. There are more than 1400 members of this organization from all over the world.
Epilog
If any US or Canadian Ted Heath fans would like to contribute to this project either financially or with a gift of material, please contact:
Further details are available from Jonathan Martin at 01 304 612229 (UK phone number)
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